By the time the lights dimmed at AfroTalks Lagos 2025, one truth stood firm: the African Dream is still trapped in systems Africans didn't design. Yet on that stage at Alliance Française, Ikoyi, a gene ration of thinkers and creators decoded the deceptive idea of the African Dream hosted by Global MCs Beatrice Afful and Ebo Emakhu.
The theme "Matrix: Navigating Inherited Systems That Influence the African Dream"forced every one in the room to confront a deeper reality: that our ambitions, governance, and even creative in dustries often operate within blueprints we inherited, not ones we authored. But in Lagos, those s ystems were not only questioned, they were decoded.
The most charged moment of the day came during the panel discussion, "The West Validation: Wh y Do Africans Need to Travel Out to Achieve the African Dream?"moderated by Adatsi Brownson, global speaker, poet, and Pan-African advocate.
His opening question cut through the room: "At what point did validation become our measure of worth? Why do we dream in foreign currencies?"
His panelists Tatiauna Holland, immigration attorney and global legal consultant; Onuora Obed (ModernDayTownCrier), historian and media advocate; and Yusuf Durodola, award-winning artist delivered answers that sparked both applause and introspection.
Holland revealed how the Western immigration system subtly enforces a hierarchy of human valu e. ModernDay TownCrier dissected the psychology of dependence: "Africans don't lack dreams; we lack the systems that fund them."And Durodola, who lectures on visual art, added: "The West validates us because we haven't yet b uilt the structures to validate ourselves."It was a pragmatic and intellectual confrontation, the kind that AfroTalks was designed for.
Among the most powerful solo presentations came from Somto Ajuluchukwu, the Creative Direct or of Vortex Studios, who spoke on "Beyond Inherited Models: Building Sustainable Creative Syst ems for the African Dream."Somto, known for redefining African storytelling through comics, film, and visual culture, challen ged creatives to stop mimicking Western media systems and start building sustainable African eco systems that honor originality, ownership, and longevity. He was famous for his quote; "We are all stories".
While Somto redefined creative sustainability, Dr. Ashley Milton, CEO of She Grows It, unveiled "Re ceipts"an ethical technology built to make value visible, trackable, and reclaimable for Black peop le globally. Her work blended finance, data, and justice proof that technology, when ethically built, can restore dignity rather than extract it.
Mariama Jalloh, fintech strategist and startup advisor reinforced the urgency of investing in home grown startups. Her talk, "Building Founders and Investors from African Soil, "inspired young entr epreneurs to design scalable solutions for the continent's challenges. In partnership with AfroTalk s, Mariama Jalloh sponsored AfroPitch which drew over 30 applicants and granted N1,000,000 to a pre-seed startup; Not Safe For Children (NSFC) founded by David Ogunbanjo. Not Safe For Child ren (NSFC), a tech-driven solution that safeguards minors from harmful online content.
Then came Coach Naya (Anthonia Ahanor), etiquette and pageantry coach, who reframed poise as power in her talk, "Grace in the Matrix."Her message was simple but profound: "Etiquette isn't about perfection it's about presence."
Coach Naya called for confidence and composure as tools for transformation, especially among yo ung women navigating systems designed to silence them. Her voice softened the intellectual edge of the conference, grounding it in humanity and self-awareness.
If Lagos decoded systems, Naya reminded everyone that revolution starts with how you carry your self within them.
From Ejiata Violet's impassioned advocacy for menstrual equity to the dynamic Mbadiwe Twins, O zee and Ocee, who brought fresh insight into collaboration as the new code for development, Afro Talks Lagos demonstrated that culture itself is infrastructure.
The energy continued with the Sierra Leone's Masah SamForay, Co-Founder of Bintumani Boutiqu e, whose session "Wearing Two Worlds "bridged fashion, business, and cultural identity. She share d her story of moving to Ghana during the pandemic, a decision she described as "one of the most grounding experiences of rediscovering home."
And when Diallo Sumbry hosted the Art Mixer at Mama Nike Art Gallery the next day, alongside C hief Nike Davies-Okundaye, the audience walked through a multi-sensory experience of Africa in picture. A good mix of creativity, culture and history.
AfroTalks expressed much appreciation to the supporters; Holland Global Law, She Grows it, Hyper link Africa, Bintumani Boutique and Ameyaw Debrah.
The African Dream is still Valid
"The African Dream is the desire to build by Africans, grow by Africans, for Africans on Afric an soil." - AfroTalks founder, Bright Tenbil From Accra, where AfroTalks asked "How", to Lagos, where it decoded inherited systems, the journ ey has become a living framework for continental rebirth.
Next stop: Kigali, where the AfroTalks will go "Beyond Borders" building systems that connect the dreamers, builders, and believers of a new Africa.